
Slowly but surely the first of 6 sectors is underway with roughly the first 125 pieces ready, somewhere around 1/3 of the pieces on this sector.

Slowly but surely the first of 6 sectors is underway with roughly the first 125 pieces ready, somewhere around 1/3 of the pieces on this sector.

The Wisteria lamp is underway with the first of glass pieces cut, ground and placed on the pattern.
Only 1950 pieces to prepare before soldering.

Next step is to choose the Glass
I’ve chosed three Youghiogheny glass types to combine here,
The Cobalt blue amber and opaline
The Opale ambre jaune vert et rouge
The bleuviolet et rose à l’or & opaline
Shown above, from Stefatelier in 30cm by 30cm format and paid 85,84 euros for the three sheets, I also picked up the tacky wax and the pickling gel for a further 11,20 euros



Before I gift the two dragonfly lamps, here they are for the last time together and with the Elaborate Peony in the background.

Here it is, Alix’s lampshade finished before cutting the upper attachment to size. Darker colours as requested. And yes those wings, long and straight on the curved surface are not easy.
The shade had been damaged ( falling to the floor) after completion but before the filigrees stage, necessitating the removal and replacement ow almost all of the wings.

Filigree Time, Check it out against Celia’s lamp at the same stage.
https://marquetryandtiffany.art.blog/2024/09/09/celias-lamp-filigree-time/

Well everything is ready, just need to wax up.
But wait what is that tool for keeping the mould horizontal at different heights?

Yes! It’s a round broomstick sticking through the hole in a drawer. But how do I adjust the height?

Well you’ve hung brushes, brooms etc in a shed maybe? Well it’s the same one way grip on the inside of the drawer.

Rings and filigrees delivered by Verrosaique ready to assemble and solder, glass from GK Techniques cut to size, ground and the edges copper taped.
So I need to finish cutting Alix’s wings and set up my workshop to accurately place the mold in a different horizontal position for each piece of glass and I’ll be ready to wax the mold.

Celia’s idea of a lamp was more like this, nuances but also colour variants and a degraded colour scheme from top to bottom.

This should be easier right? Well I’m waiting for the filigrees to see if the wing colours are not too bright. Yes, more worries, well I guess I would just change the wing colours if they don’t work.